book update

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Hello friends and faithful readers. Some of you may be wondering what I’ve been up to these days. Wonder no more!

It’s been a while, but I have an exciting new update on the book I’m writing: The Endless Creative. I’ve finally completed a draft I am proud of and have sent it off to my editor. I may have overshot my planned deadline by over a month, but life happens and it feels good having finally reached this point.

The Endless Creative is about finding purpose through creativity. It follows the journey of the creative as it parallels the three-act story structure and the hero’s journey. It’s something I’m excited about and looking forward to sharing with you all.

For me, writing the book has been a journey in itself and I’m eager to discover what changes my editor suggests (beside the usual spelling and grammar fixes). Though I like it where it is, I know there are many ways it can be improved. I’m just not sure yet which improvements are the best. Really, I’m trying to prep myself for the many changes I expect it’s going to need, and to not become disappointed by it.

Oh yeah, I should mention that the image above is not the final-final cover, but the artwork you see there is about finished. I’m really happy with how it’s turned out and had a great experience working with the artist, Robert Clear.

I just threw on that text for this post. To be honest, I’m no fan of choosing fonts, I prefer to leave that to the pros.

Having focused most of my creativity on getting the book ready for edit, I’m taking some time to celebrate. I often experience a little bit of a letdown after reaching a big milestone, but I’m also learning how important it is to recognize and celebrate big achievements for what they are. And then I need to figure out what’s next.

I have a life coach who has been helping me in that area, keeping me focused and goal-oriented. It’s a new experience for me, and it’s been a good one so far.

Looking to the horizon and what’s up ahead, I’ve been thinking more about this blog, my email list, and what I want to do with them in the future. More on that later. For now, we’ll leave things as they are. As always, I’m open to suggestions and advice.

I do have a short sci-fi story that a publisher is interested in and willing to work with me on. That may be the next big project right now. I’ve got some smaller things as well, but you’ll hear more about them when they’re finished.

Until next time, I hope you are excelling in and completing your creative projects, whatever they may be. If you need help in that area, you should grab my free e-book, Done! which is about that very thing.

And I’d love to hear what sort of creative things have you been working on lately. Feel free to share about them in the comments below.

Creatively yours,

A. P. Lambert

a journey of dreams

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I’ve been reading a lot of excerpts from Steven Pressfield’s blog lately. He’s become quite big when it comes to writing about creativity. And he has a lot to say on the subject.

I don’t quite agree with some of his conclusions, but, in many matters, I think he’s spot-on.

Here’s a passage I read recently that really jived with me. It’s a subject I’ve discovered leads to resistance when talking with people who don’t understand the importance or need for works of fiction:

THE ARTIST’S JOURNEY IS A JOURNEY OF DREAMS
I never wrote anything good until I stopped trying to write the truth. I never had any real fun either.
Truth is not the truth.
Fiction is the truth.
The artist’s medium is not reality, but dreams. I don’t mean “dreams” in the sense of made-up bullsh*t. I mean dreams as the X-ray of truth, truth seen through and seen for what it really is, truth boiled down to its essence.
The conventional truism is “Write what you know.” But something mysterious and wonderful happens when we write what we don’t know. The Muse enters the arena. Stuff comes out of us from a source we can neither name nor locate.
Where is it coming from? The “unconscious?” The “field of potentiality?”
I don’t know.
But I’ve had the same experience over and over. When I write something that really happened, people read it and say, “Sounds phony.”
When I pull something completely out of thin air, I hear, “Wow, that was so real!”

 

(FYI, I've edited the naughty word, you know, for the kids)

This is a portion of his serialized version of The Artist's Journey. You can find the full post here

 

tags off!

After moving to northern Arizona, I felt obligated to buy boots. 

I should preface this by telling you I am not a cowboy in any sense of the word. Were the boots to help me fit in? Sure, I’ll take some ownership there.

But really, they’re just good to have on when working outdoors. There are all sorts of foot enemies about in this country: snakes, cacti, other pokey plants, biting insects, biting children, that sort of thing. Boots are a great preventative to injury. Plus they make me taller, which is always fun.

After purchasing said boots, I kept the tags on and walked around the house in them for a while. This looked especially ridiculous because it’s the dead of summer and I’m wearing shorts. I know, highly unfashionable.

Boots are not the exception though, I do this for every article of footwear I purchase. You see, I’ve got a tenuous relationship with shoes of all varieties. It takes me a good while to trust them.

The thing is, I’ve got some very real (and completely undiagnosed) foot issues. This has been the case ever since I went on a week-long backpacking trip in Yosemite and then lost feeling in one of my toes for about half a year. I blame the hiking shoes for this.

My shoe problems have persisted since then to the point that even when shoes feel comfortable in the store, they’ll become pain-inducing by the end of the week. It took me three total trips to a New Balance store before I could find cross trainers that felt good on my feet. The clerks were rolling their eyes by my final return. The struggle is real, people.

Back to the boots. Yes it looks silly stomping around the house wearing shorts, high socks, and boots—but it’s completely necessary. The good news is, the boots have been feeling good and I’m about 90% sure I’ll keep them.

So, why the long story about boots? This realization came to me as I was clomping about: many people treat their creativity the same way. They try it out, maybe wear it around the house where its safe and free of judgement, but don’t really own it or take it out. They keep the tags on, so it can be returned if it turns out to not be so great a fit.

I can’t tell you how many highly creative (even artistically talented) people I’ve talked to who will not admit their own creativity. It’s truly shocking.

Creatives, it’s time to tear those tags off and own it! It’s time to have your “first rodeo” and show the folks what those puppies can do. There are puppies at the rodeo, right? Again, not a cowboy here.

inspired

Have you ever wondered where creativity comes from? Why do some people seem to be more creative than others? Is it an innate ability only a select few are gifted with or do we all possess the same creative potential?

Here’s one thing I’ve noticed: all the really creative folks I know hold a genuine and ongoing interest in many things. They’ve got an increased receptivity to inspiration. 

Is this something they’re born with or something experience has developed in them? I couldn’t say, but I do know this: it’s a posture everyone can develop—a wellspring available to all.

There are times in my own life when I have kept myself closed off and closed in. As a result, my sense of inspiration waned dramatically. But when I’ve focused on dissevering and appreciating more of the world around me, BAM, inspiration hits like a load of bricks (though not as painful).

Chances are, you already have a good idea of what you find inspiring. Consider what excites you, what piques your interest; what do you find fascinating? 

Dig deeper until you gain an understanding of why you find inspiration from such sources, this will help you look for it in other places.

When it comes to the inter-webs, Pinterest is a very popular source of inspiration. I hardly find a baked good, craft, or room design that didn’t have a little help from Pinterest these days. In fact, my wife recently used it to get some ideas for our son’s dino-themed first birthday. 

She discovered a clever way to cut watermelon so it looked like a monster’s head. However, we didn’t just straight-up copy the design, we added some flavor of our own, including little cantaloupe wedges for teeth and head spikes. Personally, I think it made a nice improvement, and the kids loved it.

Check it out:

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Pinterest hunting is fun, no doubt about it. But heed my warning, oh hunter of inspiration, once you find it, never take it as-is. When using it for your own creations, you’ve got to change it in some significant way—make it your very own. 

This might not seem like a big deal for cake pops and bookshelves, but the more serious you are about growing as a creative, the more important it is that you don’t just steal another person’s work.

For a little more on the subject of inspiration vs. stealing, check out my post: The Planets.

Death Cloud

In case you haven't noticed, I like to share other creative projects from time to time, usually ones completed by friends of mine.

This week, I present the super ominous, super cool Death Cloud. It's a novel by my buddy RJ Batla from his Senturians of Terraunum fantasy series.

He's trying something new this time and running a Kickstarter campaign. Naturally, I've backed it.

If you're interested, you can check it out right here!

 

And hey, if you've got some cool creative project you're ready to share with the world, let me know about it. You never know, I might just check it out and post something.

AlphaMystica

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So, what’s the deal with AI these days?

What do they know? What are they capable of? What do they want from us? And how do they feel when we abandon them in the woods with their sad little faces staring longingly into our swiftly departing rearview mirrors?

You’ll find out all that and more from this article.

Designer Diary: The Search for AlphaMystica

Alright, I confess, it’s not really about that stuff I said before. But it is about AI and boardgames. 

Tysen Streib, an AI developer for games shares his insights and struggles as he works on an AI for a digital version of the game Terra Mystica.

I’ll admit, the article gets very technical by the end—even for a genius like me (yes, I still have to look up how to spell the word ”genius”), but the beginning part is especially interesting. It turns out that not only can AI beat the best chess player, they can also beat the best Go player.

First, there was AlphaGo, which learned by studying human games, then came AlphaZero, which was completely self-taught and markedly better than AlphaGo. It’s kinda freaky when you think about it too much (which I do), especially if you’re really into boardgames (which I am).

What other areas of life will AI develop complete mastery over their human competitors?

Well, I have yet to meet one able to make a better quesadilla than I can, so we’re still safe for the time being. But when that day comes ... be afraid, be very afraid.

mystery

I figured I’d continue on the Star Wars trend (ha, I almost wrote trek) from last week.

Most people over the age of 7 agree the Star Wars prequels (episodes 1-3) are not great. I suppose they have some redeemable qualities (if you look really hard) but I found most of the content to be either forgettable or unforgettably bad. Sorry, George. 

One of those memorably bad decisions has to do with the introduction of “midi-chlorians.” Apparently, they’re microscopic life forms that facilitate The Force, or something like that. Anyways, midi-chlorians brought The Force down quite a few notches on the coolness scale. 

But why are they so bad? Don’t we love getting a scientific explanation for things we don’t understand? Sometimes, yes. But not always. Here’s the big problem: they explain away the mystery.

Without mystery, creativity dies a slow, boring death.

More recently, Lucas announced his original plans for the later trilogy in the main storyline (ep7-9)

“[The next three Star Wars films] were going to get into a microbiotic world. But there’s this world of creatures that operate differently than we do. I call them the Whills. And the Whills are the ones who actually control the universe. They feed off the Force… If I’d held onto the company I could have done it, and then it would have been done. Of course, a lot of the fans would have hated it, just like they did Phantom Menace and everything, but at least the whole story from beginning to end would be told.”  

I don’t know about you, but that sounds like a terrible idea to me, for the very same reason. It takes everything people love about Star Wars, throws it out the window and instead dives into a detailed explanation of how The Force works. It mercilessly slaughters the mystery.

Without mystery, creativity becomes quite dull. Rather than surprising and exciting, it morphs into a prison of predictable pattern. It ceases to be new and therefore ceases to be creative.

Magic tricks are fascinating, but once the trick is revealed, that sense of awe and wonder is lost—it becomes a rational, ordinary thing.

As a writing teacher often reminded the class: RUE, resist the urge to explain. A story is much more interesting when it unfolds slowly. Readers enjoy the excitement of each reveal that comes with a new plot point, rather than being given all the juicy secrets in chapter one.

There is something to be said about not knowing. True, not knowing can drive us crazy sometimes. In our information overloaded world, we want to know everything. But there are times when knowing can be even worse than not knowing. How many times have you discovered something you were curious about only to look back and realize you would have been better off remaining in the dark?

Take the TV series, Lost, for example. When the writers tried to explain all that weird stuff happening on the island (smoke monsters and polar bears anyone?) during the last season, and especially the last episode, it felt like they were taking all the magic they had created and dumping it down the toilet.

Sure, it’s good to be well-informed and prepared rather than confused and befuddled, but there are times when a state of confusion can lead to greater innovations. Confusion forces you to question what you know, to look for a solution that isn’t obvious.

So, I say, don’t be afraid of the mysterious and strange, they might open a new window and allow a light of inspiration to shine on that creative mind of yours—one which is completely (and blessedly) devoid of midi-chlorians.

the planets

If you’ve listened to Gustav Holst’s orchestral suite, The Planets, you probably thought the same thing I did: it sounds a lot like Star Wars. And I mean a whole lot. The similarities are especially noticeable in the first movement, Mars, which is very similar to The Imperial March.

They’re so similar, in fact, at times it sounds like one was ripped straight from the other. Since The Planets came first (1916), does that make the original Star Wars composer, John Williams, a big copy cat?

In Holst’s work, each movement of the suite is based on the astrological nature of a planet in our Solar System. You might say it’s a fairly high-concept album. In more modern times, musical artists like Ryan O'Neal and Sufjan Stevens have done similar projects with planet-based songs. I expect during the time, Holst’s theme was quite unique.

Inspiration is a strange thing. Legally, there are rules concerning how similar one's work is allowed to be to another without it being considered stealing. I remember someone telling me about 10% is allowable. Even then, it gets muddy. I’m thinking Under Pressure vs. Ice, Ice Baby sorts of things. And I hope we can all agree that Vanilla Ice ain’t got nothin’ on David Bowie.

Beyond the a question of what is legal, I wonder what is right? I don’t think Williams denies  the influence The Planets had on his score for Star Wars, but does that still make it ok? That’s a tough one. 

The soundtrack for Star Wars is an excellent piece of work on its own (in my opinion), and it’s impossible to say what shape it would have taken without Holst’s influence. They say imitation is the sincerest form of flattery, but when massive success and recognition comes from adopting portions of another person’s work into your own, a certain amount of credit (and even financial compensation) is due to the originator. 

A worker is worthy of their wages—that’s no less true when it’s a creative work.

It’s hard to draw a line, but I think every artist deserves to receive recognition and value when their own work leads to the advancement of another’s.

Apparently, there was also a lawsuit based on Hans Zimmer’s score for Gladiator, which duplicated some aspects of The Planets. So Williams wasn’t the only one influenced. And so it goes with great works of art—other people notice and they can’t help but want to do something similar. That’s not a bad thing.

I often think about this when I see people on YouTube getting paid to play someone else’s game. I’m not against it, and have even enjoyed watching a few playthroughs myself, but I also wonder whether or not it benefits the game company. People might not buy a game they can watch someone play, but then again the game is getting free publicity.

When it comes to inspired work, one important question to ask is who has the most to gain and who has the most to lose?

Where do you think the line should be drawn between inspiration and stealing? I’d love to hear your thoughts.

Con-unity

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This summer, I attended a Christian writers conference called Realm Makers. It wasn’t the first Christian conference I’d been to, but it was my first writers con.

In short, it turned out even better than I had expected (not that I had a lot of expectations going in, good or bad). I met many a fine folk and gleaned quite a bit from the seminars and panels I attended. I boarded the plane home feeling rejuvenated and restored. Plus, I have a few new books and a bunch of new friends now.

There is something to be said about being around creative people with similar goals, mindsets, and experiences to your own. The sense of belonging I felt there was wonderful. It was a little like being home but with 300 people I’d never met before.

Generally, while out in public I have my guard up. Now, I’m a rather friendly guy, but I operate with a sense that most people I’ll meet don’t truly understand or resonate with where I’m coming from. Meeting someone I have a strong affinity with doesn’t happen often, even at other conferences and conventions I’ve gone to.

This event was an exception. Not a single person I talked to felt like a stranger, despite how different our personalities, backgrounds, and even appearance might have been. There was a connection, a feeling that, on some level, this person gets me, they’ve dealt with (and maybe still are dealing with) some of the same struggles I have.

Creatives, if you can find a place and people such as that—people who you can truly identify with—I highly recommend you make a strong effort to attend. Yes, such things can be expensive (besides just the registration, there’s travel, accommodations, and a time commitment). Despite my severe lack of sleep during the con, I felt refreshed by the end.

It’s healthy to live and work around people who have a different outlook and walk of life than your own, rather than living in an echo chamber of people who all sound the same. But it sure helps to take the occasional opportunity to refocus your creative energy as you glide along, squawking merrily with some birds of a feather at your side. 

Oh, did I mention we ended the whole shebang with an epic Nerf gun war? Totes awesome. And the sweet pair of mugs I won in a raffle didn’t hurt neither!

a place for everything

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Everything has its proper place. 

This statement holds more weight for some people than others. Is there really a right place for everything? Furthermore, is there a proper place for creativity?

As for the first question, I believe it’s a personal matter.

For many people, organization is a big deal. Being organized is especially helpful when you want to be able to find something again quickly. Besides that, it's aesthetically pleasing. A disorganized room can be a real eyesore!

After helping my family move, I was reminded again how important it is to label boxes before loading them up into the moving truck—otherwise, you’re bound to misplace something you need on the other side and spend a good long while searching for it. And you'd better mark that dish wear fragile with a few underlines if you don't want it getting smashed up.

Organization itself is a booming industry. Whether you’re organizing clothes, emails, work tasks, or pictures, someone is always coming up with a new and improved system of sorting all your stuff and making it easier to find in the future. For me, the simpler the method the better. After all, even our organization methods can get cluttered.

Organizing your time by scheduling and time blocking is a great way to make sure you get the most out of your day and finish things of highest importance first. It's something I'm very slowly getting better at. As I've found, it takes time just to plan out your time. But it's worth it in the long run. Living moment by moment with no laid-out plans is a bit like living paycheck to paycheck—you just hope you have enough to do the things you need to.

Without organization, life can begin to feel chaotic, out of control, and unwieldy. Some people don’t mind that so much. I heard an argument in favor of just leaving piles of papers wherever you place them on your desk because the last one you used—and thus the one you will most likely need to use in the future—will always be on top. While I can appreciate that on some level, I’m sure glad we have a filing cabinet in our office, otherwise tax filing would be a nightmare (instead of just a couple of lame nights). 

Organizing is often a left-brain activity—it’s logical and methodical. This could be why creatives (who are often stronger with right-brain activities) are stereotyped as working in cluttered environments. How often have we seen depictions of the painter’s studio or inventor’s shop where everything appears strewn about haphazardly? Even then, there is often a method to the madness.

Fear not—organization can certainly be handled with a creative approach. For instance, I like it when items are sorted visually, such as clothes grouped by color or board games lined up by size. In the social media landscape, Pinterest has proven to be a popular way to save and share images and links, often as a source of inspiration and ideas. I can't tell you how many times I've seen furniture with a nifty new way of storing your stuff (like wavy bookshelves or hanging shoe bins).

The next time you find yourself in need of sorting your sock drawer or archiving old project, why not look for a fun new way of doing it? Besides just being more interesting, creative organization can help with recollection as our minds are more apt to remember something done in a unique manner.

Now, how about a proper time and place for creativity itself? Why, it’s everywhere and all the time, of course!

I leave you with a quote often attributed to Einstein, though I'm not entirely sure he actually said it:

If a cluttered desk is a sign of a cluttered mind, of what, then, is an empty desk a sign?